Over the past year, Trap music has become the fastest growing genre of music. The overall music production of this genre consists of elements taken from predominantly Down South Hip Hop, House and Dubstep. This new style of music has been making quite a buzz in the music industry with new producers, dj’s and artists popping up daily.

This pairing of EDM (electronic dance music) and Hip Hop has turned out to be quite the perfect match. Two genres that had previously been on completely different sides of the spectrum are now working together to bring a new energy and sound to the club scene. We now have Hip Hop producers/artists working with EDM producers creating an exciting new genre of music.

With this sudden surge of this style of production, we have been blessed to hear great new music from artists such as RL Grime, Flosstradamus, and Baauer. As with any new trend, we also have to filter out all the generic “Trap Remixes” and tracks that seem to flood websites such as Soundcloud on a daily basis. I’ve seen well known producers as well as bedroom producers make miserable attempts in creating Trap Music.

The question that now looms for Trap Music is whether it will have any longevity. Is this just another trend that will fade away? Does this genre of music have what it takes to last for years to come?

I feel that Trap Music has the potential to last. I feel this way based off the fact that the genre has roots in Hip Hop. Because of this, there are familiar sounds used in its production that can be recognized by even the newest listeners. Nightclubs are a good way to gauge any given genre of music. Dj’s will play music that keeps the energy levels high in nightclubs. Trap Music might be relatively new in the clubs, but many of the sounds used in its production come from Hip Hop tracks that have been playing in clubs for years.

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Many artists are defining music as the new dubstep; it certainly has become the new craze in the industry. Although the history of the genre dates back to a decade ago, it has only recently started to gain recognition and hype.

Many people consider the fact that since trap’s crossover to EDM it has started to grow in demand with sold out glow-sticked arenas due to EDM Trap’s popularity. The major reason why this genre has been ambushed by the world is the transformation trap music has gone through, with not as much rapping and more feet moving beats involved in the songs.

To get a better understanding of music, it could be broken down and described as a combination of dubstep, hip hop, and dance music.

So basically what kind of music is trap music? Traditionally it’s a term generally used to describe hip hop music from the Southern regions of America. Music has pretty much become identifiable with Hip-hop and takes influence from the rap sound in the South.

Numerous artists like Flosstradamus, RL Grime, Baauer and Gladiator have had astounding demand since implementing trap into their own music.

Trap has become a raging craze with the masses of people at clubs, parties and underground gigs. It is no surprise that it is such a big hit with the people considering the music is so likeable and trap stylings can be injected into any form or style of music. No wonder it has caught everybody in its trap much faster than dubstep or electro and it’s fairly simple to see why.

The first DJ we caught was Nicky Romero. A great energy to open our Ultra weekend! Then came Avicii with a strange set. Super strong start, everyone was rocking out SO hard. Great energy, great lightshow and then… live folk-inspired music. It was good, whatever it was. And it certainly proved Avicii could live mix quite well, only I felt it went on too long. The crowd become more and more confused about what was happening. People started to leave, wondering where their dance-beats went. Our crew stayed, enjoying the show. By the 5th folky song I turned to my boyfriend and said “Alright, that’s enough. It’s good and everything but I want to dance to some EDM. That’s what we paid all that money for.” I respect his new music and the courage to premiere it there. I just think it went on for too long and had too much “folk with a little EDM” rather than “EDM with a little folk.” I wasn’t the only one. Some tweet I read were far less forgiving! Avicii eventually had to defend himself via Facebook, although many were not convinced. I’m curious to hear the new stuff in a different environment though. I think I might like it.

Someone that demands a mention is none other that Mr. Tijs Verwest, also known as Tiesto, who finished off Friday night at Ultra. He really knows how to play a crowd. It’s a journey, really. He pulls you up and takes you places you totally don’t expect and then suddenly he’s dropped it in some dub-house breakdown that I’ve never heard before but LOVED! It had to be good, especially since he got on the mic and said “expect the unexpected ultra!” and boy he did he deliver! Tiesto closed it down so strong on Friday I felt like he was closing down the festival. He never half-asses a set and I’ve seen him four times! Great set.

The return of Deadmau5 on Saturday was insane. I had never seen him before even though I’ve been listening to him for years. It was surreal hearing my favourite songs come to life and watching everyone dance to them. The light show was also incredible! Some were bored with what they called the “same old Deadmau5” but for me, it was flawless! Other Saturday highlight were Calvin Harris, who was so much fun to listen to and groove with friends and strangers alike. Although in EDM, no one is a stranger. Fatboy Slim is always a highlight for me. I love his wackiness, repeated vocals, fun and unapologetic style and the visuals are always unique. I also caught a little dubstep with Doctor P, Flux Pavillion, Zed’s Dead and my favourite dub-master Bassnectar.

Then came my 12-hour day with ASOT600MIA! Unreal. Started the day with Tritonal and W&W, then left ASOT to check out NERVO, Zedd, and Porter Robinson. While I enjoy all those artists, I would have been delighted to stay at ASOT600 all day. I was brought nearly to tears almost immediately. There’s just something about Trance that moves you.

About halfway through Porter Robinson we left so we could get in the VIP line early to see Above & Beyond and Armin van Buuren. See, the VIP tickets were awesome but at certain times the capacity for the VIP section would fill up and you had to wait ages to get it. We were in line for over an hour and Above & Beyond had already played half their set by the time we got in. We weren’t concerned though, no one disappointed!!! This was my first time seeing Above & Beyond and it was amazing. So much connection with the crowd, so much love!! They had words coming up on their video screen throughout the set that were so beautiful and inspiring it brought tears to my eyes throughout the set. I truly felt connected to every person at that stage. Armin is my #1 DJ so I was euphoric about seeing him for the fourth time! He played his new single “This is What it Feels Like” feat. Trevor Guthrie and it was soooo beautiful! I’ve been listening to it on YouTube on repeat. Judge me.

After Armin we headed for the Main Stage to see the much-anticipated final performance by Swedish House Mafia. It was fun and emotion-filled, but I was quite tired so I didn’t fight the crowd to get close or anything. I just danced closer to the back with my friends and boyfriend and then bolted for the exit by the last note!!

Luckily we were staying at the Inter Continental right across the street so we didn’t have to bother with taxis or trains. Something we will do every year if we can!! The view of the festival from our room was priceless.

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Techno music, which some say, came out of Detroit in the early 90’s, may have begun through the evolutionary progress of various new textures, patterns and sounds which were emerging from all over the world.

New electronic music devices were being created while electronic sounds were coming into their own. The kick and snare became the heartbeat of the song. The bass became the backbone driving force. The synthesizer was the melody which brought people into the nightclub doors, and kept them dancing from dusk to dawn.

Over the years, some of the different genres and sub styles which have emerged with this new sound have been called: Deep House, House, Techo, Megabeat, Electro House, Disco House, Funky House, Garage, Techno, Industrial, Electronica, Breakcore, Micro-house, Underground, Trance, Ambient, Breaks, Minimal Techno, and many more.

But in looking at where we are now, it was the music groups from as far back as the 60’s that were the veterans of this new sound. Bands like “The Tornados” created one of the first techno-pop songs entitled Telstar in 1962, which became a Billboard number one hit for the band. The song featured a Clavioline, an instrument like a keyboard with a very distinctive electronic sound. Telstar was the first U.S. number one hit by a British group. The song was originally thought to be just a novelty record intended to make people think about the dawn of the space age. Little did they know at the time how evolutionary their record would become.

Since then, DJ’s and Re-mixers (both male and female) have come on the dance music scene, creating an entirely new sound of the future. With their flair for remixing different sounds, cuts and beats, many DJ’s have created number one dance singles. In doing so, they have developed a new artistry and way for them to be heard by music industry power players. Further, they continue to compete at becoming the best mixers and most popular DJ’s in the clubs. In their own right, they have become the celebrities.

With respect to all forms of music and genres introduced, there is no one sound or genre which now stands alone. Music is as diverse as the creators’ imagination. But groundbreakers, such as The Tornados and Kraftwerk have helped to pave the way.

Stay tuned, because the next groundbreakers are sitting in their studios (or sound proofed bedroom closets) right now creating the hottest ‘new sound’ as we speak. And moving forward toward the future, who knows what those sounds will be entitled. Perhaps you will come up with the next new style yourself. If so, what will it be coined? The world’s audience will definitely be listening.

Music centers can break out in the must unlikely places. Take the small Balearic Island of Ibiza, for example. When people think of island vacations, they likely picture sandy beaches, rolling waves, and drinking cool beverages under the hot sun. In other words, they dream about enjoying the great outdoors.

However, it’s the great indoors, instead, that makes Ibiza a coveted destination for dance music aficionados all over the world.

Much like latter day world explorers, hippies arrived in Ibiza in the ’60s, bringing with them musical styles not yet heard in Spain. And in 1973, Pacha Ibiza, the island’s first pivotal club, began to attract music-loving night owls. Soon after, rising musicians from around the globe were flocking to this sonic melting pot, and eventually many other popular night spots took root, including Es Paradis and Amnesia.

In the ’90s, dance music began to evolve at a rapid rate, similar to the way the internet and personal computers started fast-forwarding our culture into its brave new future. And when the electronic dance movement started to take shape via house, trance, techno and other keyboard and computerized styles, DJs in the Ibiza club scene took on the role of turntablest agents of change. There’s even a genre named after the island, called Balearic Beat, and this indigenous Ibiza music is notable for its strong grooves, which are mixed in with distinctly Spanish influences.

One of Ibiza’s best known performers is Jens Gad, who was featured prominently on Enigma’s recordings. Tiësto, another Ibiza regular, was the first DJ to perform at the Athens Summer Olympic Games in 2004. Paul van Dyk may be from East Berlin, but his electronic dance music always goes over extremely in Ibiza. John Digweed regularly performs at hot spots, such as Space, and hosts his own radio show, Transitions. Other notable DJs include Above and Beyond, who are appreciated for their uplifting trance sounds, also host the radio show Trance Around the World and have had residencies at Cream, A&B, and others. Markus Schulz is also from Germany, and like many of his DJ contemporaries, hosts his own radio show, which is called Global DJ Broadcast.

Ibiza is more than just a DJs paradise, however, as nearly any and all musical varieties are now openly welcomed there. It’s so eclectic in fact many clubs designate rooms solely for certain musical styles, which range from Latin and garage, to R&B and hip-hop. Live music is also alive and well in the Ibiza calendar, as Kaiser Chiefs, The Arctic Monkeys, and Kasabian have all made notable island ventures, brandishing electric guitars, instead of turntables and various electronic wizardry. Much like major creative cities, such as New York, London, and Los Angeles, Ibiza attracts visitors from around the world. These other major metropolises may dwarf the island, size-wise, but Ibiza’s adventurous sense of experimentation makes it just as important as any other music capital. Those with ears to hear that want to explore the great indoors must put Ibiza on their travel itinerary.
This article was written by John McElborough. Find out more about Ibiza and book your room at the Ibiza Rocks Hotel – Ibiza’s number one music hotel for clubbers on loveibiza.net.

Lady Gaga has really revolutionized pop music at the end of decade with her perfect timing and the Fame really brings disco-pop and yes, even electro pop to life. While Pink, Christina, Beyonce and company are releasing their albums and singles, Gaga has already cemented herself as not only one of the fastest emerging female artists in history, but also as a pop culture icon and one of the biggest favorites of disc jockeys.

She is a staple of pop culture continuing come up with new concepts. Gaga sings (live too!), dances, combines music and fashion, designs her own stage, plays an actual instrument (true musician), and most of all, actually writes her own material. Her strengths have produced a million wannabe’s that want to dance like Gaga or sing like Gaga. She’s such incredible entertainer that disc jockeys can’t wait to see what she gives next.

Gaga can tear the house down sitting on a stool with a mic in her hand or do a full out dance routine and knock others dead. What Alexander McQueen did for fashion, Gaga is doing to dance music. The most amazing with Lady Gaga is that she can change style, whether ballad or pop dance which makes her the new Queen Of Pop. Gaga will continue her career the same way Madonna has. She is a marketing machine for her amazing concerts and the disc jockey who need danceable hits to play.

One thing you all have to admit finally is that Lady Gaga really shook up Top 40 into liking electronic/dance music and abandoning the aggressive sounds of hip-hop in the early and mid 2000s.